Exhibit tells story of Wessyngton plantation
A groundbreaking exhibit about the slaves and slaveholders who worked and resided at a distinctive plantation in Tennessee will open next year at the Tennessee State Museum in Nashville.
The exhibit, Slaves and Slaveholders of Wessyngton Plantation, looks at the lives of both the enslaved African Americans and their white owners on the 13,000 acre plantation in Robertson County, Tennessee. The exhibition, which is free to the public, will open Feb. 11 and close Aug. 31, 2014.
Through first and third person accounts, the exhibit will reconstruct the lives of several enslaved people, giving them names, faces, and the details of what happened to them before, during, and after the Civil War.
“Most museum exhibits cannot provide an in-depth look at individual enslaved people because there is little information available,” according to Lois Riggins Ezzell, the museum’s executive director. “But because of fortunate circumstances of record-keeping and photography by the Wessyngton owners and a wealth of research and oral history by one of the slave descendants, we are able to bring these otherwise forgotten people to life.”
The plantation was established in 1796 by Joseph Washington, who moved to Tennessee from Virginia, and was later inherited by his son, George A. Washington. The Washingtons, through their business dealings, became incredibly wealthy, owning not only Wessyngton but also property and slaves in Kentucky. Wessyngton was one of the largest plantations in Tennessee in 1860 and the largest producer of tobacco in the U.S. In 1860, the Washingtons were one of the wealthiest families in Tennessee.
The Washingtons, with two exceptions, never sold their slaves, and by 1860 owned 274. Slave families at Wessyngton had three to five generations living together, remarkable in a system that often separated enslaved families, including selling children away from their parents.
The Washingtons, who held on to their wealth during and after the Civil War, retained detailed records about their plantation and slaves. These records, along with letters and diaries, survived into the 20th century and were later donated by Washington family descendants to the Tennessee State Library and Archives (TSLA).
John did go to the plantation and said “visiting Wessyngton was like stepping back in time.” There he saw a portrait of his great, great grandfather hanging on the wall, along with portraits of other slaves.
Baker was also able to locate photographs and drawings commissioned by the Washington family of the former slaves who had remained to work on the plantation after the Civil War. These drawings and photographs remained in the Washington and slave descendant families.
“The wealth of sources allows the exhibit to represent the diversity of slave experiences at Wessyngton,” said Rob DeHart, the exhibit’s curator. “Before the Civil War, they individually found ways to create lives and sustain families under very challenging circumstances. Following emancipation, they made different choices regarding their futures.”
At the end of the exhibit, a section called “Legacies” will trace what happened to several of the Wessyngton slaves after the Civil War into the 20th century.
This exhibit is funded in part by a grant from Humanities Tennessee, an independent affiliate of the National Endowment for the Humanities.